The plot revolves around Ella Durran, an ambitious young woman whose lifelong dream of studying at Oxford finally comes true with a Rhodes Scholarship. However, her plans take an unexpected turn when she is offered a position in a rising political star’s presidential campaign, challenging the initial expectations of her Oxford experience. Matters become more complicated when she meets Jamie Davenport, a local with a sharp tongue and an undeniable connection to Ella.
As the narrative progresses, what starts as a casual fling between Ella and Jamie evolves into something deeper, which leads to the revelation of the latter’s life-changing secret. Ella is now torn between her political aspirations and her growing feelings for Jamie, forcing her to confront difficult choices about her future. As her time in Oxford leads to its conclusion, Ella must decide which dreams truly matter most to her.
Auctioneer André Masson learns of a discovered Egon Schiele painting in East France, a Nazi-confiscated masterpiece. This find could be the apex of his career or his downfall. Assisted by ex-wife Bertina and eccentric intern Aurore, André faces a turning point.
Simon arrives in Lund full of anticipation and ready for his life to really begin; but is quickly disappointed by law school. During a violent protest march he meets the anarchistic young woman Max and falls in love. She dazzles him with a world of excess, lies and huge risks and when he realizes the damage that's done, it's already too late to escape
Love and loss are closely linked in MY SON, an emotional drama about a teenager and his mother who go on a journey together after nearly having lost one another.
When talking about Louis XVI and his wife Marie Antoinette, what immediately comes to mind are lace, tall wigs, flamboyant clothes and colours, Versailles, or… the guillotine. Here, between these two extremes, exists a middle ground, a period of time seldom explored: the few months when the last king and queen of France were imprisoned, with their two young children, in a black castle on the outskirts of Paris, awaiting their executions. A brief and condensed period where, amidst violence and harassment, all masks fell off: those of two royals, as public and private figures; that of the old regime; that of a History that finally turned the page; and that of God who, from then on, was eclipsed by the shadows, leaving man entirely alone.